Victor Borge (pronounced ['borg?] "BOR-guh"; January 3, 1909 – December 23, 2000), born Børge Rosenbaum, was a Danish comedian, entertainer, conductor, and pianist, affectionately known as the Clown Prince of Denmark and the Great Dane.
Early life and career
Borge was born Børge Rosenbaum in Copenhagen, Denmark, into a Jewish family. His parents, Bernhard and Frederikke Rosenbaum, were both musicians (his father was a violinist in the Royal Danish Chapel, and his mother played piano), Borge took up piano like his mother at the age of 3, and it was soon apparent that he was a prodigy. He gave his first piano recital when he was 8 years old, and in 1918 was awarded a full scholarship at the Royal Danish Academy of Music, studying under Olivo Krause. Later on, he was taught by Victor Schiøler, Liszt's student Frederic Lamond, and Busoni's pupil Egon Petri.
Borge played his first major concert in 1926 at the Danish concert-hall Odd Fellow Palæet (The Odd Fellow Mansion). After a few years as a classical concert pianist, he started his now famous "stand up" act, with the signature blend of piano music and jokes. He married American Elsie Chilton in 1933, the same year he debuted with his revue acts. Borge started touring extensively in Europe, where he began telling anti-Nazi jokes.
When the Nazis occupied Denmark during World War II, Borge was playing a concert in Sweden, and managed to escape to Finland. He traveled to America on the USS American Legion, the last neutral ship to make it out of Petsamo, Finland, and arrived August 28, 1940 with only 20 dollars, three of which went to the customs fee. Disguised as a sailor, Borge returned to Denmark once during the occupation to visit his dying mother.
Move to America
Even though Borge did not speak a word of English upon arrival, he quickly managed to adapt his jokes to the American audience, learning English by watching movies. He took the name of Victor Borge, and, in 1941, he started on Rudy Vallee's radio show, but was hired soon after by Bing Crosby for his Kraft Music Hall.
From then on, it went quickly for Borge, who won Best New Radio Performer of the Year in 1942. Soon after the award, he was offered film roles with stars such as Frank Sinatra (in Higher and Higher). While hosting The Victor Borge Show on NBC from 1946, he "developed many of his trademarks, including repeatedly announcing his intent to play a piece but getting "distracted" by something or other, making comments about the audience, or discussing the usefulness of Minute Waltz as an eggtimer. Or he would start out with some well-known classical piece like Beethoven's "Moonlight Sonata>" op. 27 and suddenly drift into a harmonically suitable pop or jazz tune like "Night and Day" (Cole Porter)."
Among Borge's other famous routines is the "Phonetic Punctuation" routine, in which he recites a story, with full punctuation (comma, period, exclamation mark, etc.) as exaggerated onomatopoeic sounds. Another is his "Inflationary Language", where he incremented numbers embedded in words, whether they are visible or not ("once upon a time" becomes "twice upon a time", "wonderful" becomes "twoderful", "forehead" becomes "fivehead", "tennis" becomes "elevennis", "I ate a tenderloin with my fork" becomes "I nined an elevenderloin with my five'k" etc).
Borge used physical and visual elements in his live and televised performances. He would play a strange-sounding piano tune from sheet music, looking increasingly confused; turning the sheet upside down, he would then play the actual tune, flashing a joyful smile of accomplishment to the audience (he had, at first, been literally playing the actual tune upside down). When his energetic playing of another song would cause him to fall off the piano bench, he would open the seat lid, take out the two ends of an automotive seatbelt, and buckle himself onto the bench, "for safety." Conducting an orchestra, he might stop and order a violinist who had played a sour note to get off the stage, then resume the performance and have the other members of the section move up to fill the empty seat while they were still playing. His musical sidekick in the 1950s, Leonid Hambro, was a well-known concert pianist.
He also enjoyed interacting with the audience. Seeing an interested person in the front row, he would ask them, "Do you like good music?" or "Do you care for piano music?" After an affirmative answer, Borge would take a piece of sheet music from his piano and say, "Here is some", and hand it over. After the audience's laughter died down, he would say, "That'll be $1.95" (or whatever the current price might be). He would then ask whether the audience member could read music; if the member said yes, he would ask a higher price. If he got no response from the audience after a joke, he would often add "...when this ovation has died down, of course". The delayed punch line to handing the person the sheet music would come when he would reach the end of a number and begin playing the penultimate notes over and over, with a puzzled look. He would then go back to the person in the audience, retrieve the sheet music, tear off a piece of it, stick it on the piano, and play the last couple of notes from it.
Making fun of modern theater, he would sometimes begin a performance by asking if there were any children in the audience. There always were, of course. He would then say, "We do have some children in here that means I can't do the second half in the nude. I'll wear the tie. The long one...The very long one, yes."
In his stage shows in later years, he would include a segment with opera singer Marilyn Mulvey. She would try to sing an aria, and he would react and interrupt, with such antics as falling off the bench in "surprise" when she would hit a high note. He would also remind her repeatedly not to rest her hand on the piano. After the routine, the spotlight would fall upon Mulvey and she would sing a serious number with Borge accompanying in the background.
Borge appeared on Toast of the Town hosted by Ed Sullivan several times during 1948, and became a naturalized citizen of the United States the same year. He started the Comedy in Music show at John Golden Theater in New York City on October 2, 1953. Comedy in Music became the longest running one-man show with 849 performances when it closed on January 21, 1956, a feat which placed it in the Guinness Book of World Records.
After divorcing his wife Elsie, he married Sarabel Sanna Scraper in 1953. Continuing his success with several tours and shows, Borge played with some of the world's most renowned orchestras such as the New York Philharmonic and London Philharmonic. Always modest, he felt very honored when he was invited to conduct the Danish Royal Symphony Orchestra at the Royal Danish Theater in Copenhagen, Denmark in 1992.
His later television appearances included his use of his "Phonetic Punctuation" routine on The Electric Company in a filmed sketch; He would also use it on the record to follow during the "Punctuation" song. He guest starred many times on Sesame Street and was the star guest on the fourth season of The Muppet Show.
He fathered five children (who occasionally performed with him): Sanna, Victor Jr., and Frederikke with Sarabel; and Ronald and Janet with Elsie.
- Frk. Møllers Jubilæum (1937)
- Der var engang en Vicevært (1937)
- Alarm (1938)
- De tre måske fire (1939)
- Higher and Higher (1943)
- The Story of Dr. Wassell (1944)
- The Daydreamer (1966)
- The King of Comedy (1983)